Best Cover Rock Performers
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22.83% Freak Brothers*
Others with Votes (more than one):
* On the ballot |
They look like the front line of a football team. But they sound like the first line of a rolling street party. With an onslaught of brass and wind instruments, a funky rhythm section and mixture of singing and rapping, they command a stage like a Hummer in a parking lot. But unlike those nonsensical beasts that are more parody than useful, this powerhouse actually has a purpose. They're the Freak Brothers, and they took the Whammys by storm winning Performer of the Year, Best Funk Band, Best Live Band and Best Cover Band. The Freak Brothers arrived at Columbia Street West in a couple of white stretch limos. Before the evening ended one of the limos and the Performer of the Year Whammy fell apart. The Freak Brothers are hoping the same thing doesn't happen to them. Though together as the Freak Brothers for a mere three years, this band of brothers have played music together in one form or another for nearly a decade. And it shows. Formed from members of Always in the Fridge and Strut Train, two popular bands in their own right, the Freak Brothers' genesis really began in high school in the mid-1990s. "We all just grew up together," says bass player Adam Martin. "A lot of us went to North Side together. Dan (Mihuc) and Dana (Dancer) grew up together." Martin, Matt Cashdollar, Brandon Rentfrow, Adam Rudolph, and Dan Cappelli were in Always in the Fridge, and Cashdollar and Brian Osborne were with Strut Train. The familial nature the Freak Brothers possess allows the music to move seamlessly from song to song and surrounds the band in an atmosphere of fun. "We just play things we grew up listening to," Martin says. "Jazz, funk, Motown. Everybody in the band is heavily into jazz." The jazz element gives the Freak Brothers a freewheeling sound with lots of room for improvisation and exploration. Songs blend together, dip and turn, and come out as something new. Martin says they're students of the swamp-jazz-jam school of New Orleans-based bands such as Galactic and the Neville Brothers. "We don't talk much onstage," he says. "And we don't have a set list. We have a list of songs we want to play. How and when we get to them is what makes it fun. It's a game to see who calls out the next song." Martin says the band never rehearses. Instead, they use gigs as a sort of practice session. It's a time to learn new songs and figure out ways to get through a night of playing without the music getting stale. And that requires a skill that is essential to any serious band - listening. "That's the jam element of the band," he says. "We're all good listeners. You have to be. It makes it fun for us and hopefully fun for the audience. We aspire to keep having a good time." Applied to songs by Earth Wind and Fire, the Sugar Hill Gang, the Delights and the Rolling Stones, the style is very appealing. And it's infectious. The Freak Brothers have amassed a loyal following of fans who make it to most of their gigs. You could call them Freak Heads, I guess. And the core of the Freak Heads is not just Fort Wayne. The band plays regularly in Indianapolis, Lansing, Flint, Traverse City. "We've gotten asked back dozens of times," Martin says. "We have a strong fan base here, but we also have regulars in the other places we play. It really comes as a shock to us how big this thing's gotten. I think a lot of the band members don't know how many people like us." And it comes as a shock to a lot of people that this is a Fort Wayne band, Martin adds. "People can't believe that we're all in our 20s and all from Fort Wayne," he says. "So we have a live CD we hand out at shows. It gives them a little proof ." Martin says the Freak Brothers are working on a CD of originals and are trying to get a couple of websites up and running. As for the Whammys, Martin says he and the others were caught off guard. "We were totally shocked," he says. "We went in not expecting to win anything. A lot of people told us, 'you're playing last. You must have won.' But we weren't so sure. We were more happy to play in front of a new audience." Martin says some of his friends think winning Performer of the Year is a bad omen. Last year's winner, Strut Train, is no more. But that's okay. Martin says the band has a philosophy. "The main goal of the band is to give people the opportunity the forget what's outside the club for a few hours. They can go back to that tomorrow." The philosophy seems to work for the audience. Here's hoping it works for the Freak Brothers as well. |
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